Chiarina Loggia

A printmaker's progress


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Tuesday Tales – Homecoming


Coming Home, 2

Coming Home, 2

Returning home after an extended holiday abroad always leaves me with a somewhat disconnected and discomfitted feeling. Apart from the jetlag and often the climate change, the readjustment to the quotidian can be difficult. While there is comfort in things old and familiar, there is no longer the excitement of new discoveries and experiences. More than that, there is no longer a strong sense of making the most of every day, of capturing memories and living in pursuit of pleasure. There is an invariable feeling of sadness and loss that accompanies that realization.

But there is an even larger shift. Meeting new people is replaced by the return to friends and family. And that is when the strongest readjustment happens. For I am no longer who I was before I went away. My experience has changed me in subtle ways I myself am slow to realize. My horizons have expanded while my sense of place has diminished, for I find myself filled with the discovery of distance realities while trying to reacquaint myself with the familiar. And the people at home have changed too, for they have adjusted to living without me for a time.

Strangest of all is the shift in my routine with my travelling partner. Our adventure together has ended and we are once again returning to the exigencies of our daily lives, together but settling back at our own pace into our own new rhythms.

Yet while I get on with the business of my days, and adjust to the change and unrest my experience abroad has brought into my life, I also appreciate the good fortune of being able to travel. And I acknowledge that change is a good thing, for I realize that it has enriched my life in ways I will be discovering for a long time.

I’ve just returned from Middle Earth (or New Zealand as some call it), so I will end with this quote from a little hobbit you may be familiar with. “It’s a dangerous business…going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.” J.R.R.Tolkien

Coming Home, 2 is a 5″x7″ photo etching on 10″x11″ paper. It is an image of a very lovely place I stayed in while travelling through France two years ago. I like how the sunlight appears to welcome the weary traveller, shining its light on the road that leads to home.

It is offered this week at $70, unframed. Please contact me at chiarina@chiarina.com to purchase or for further info.

What about you, dear reader? Do you have any homecoming experience or insight you would like to share?

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Tuesday Tales – The Art of The Selfie – Part Three


unbound a

Unbound

Unbound is a print fron an early selfie that I shot with a timer. I was just experimenting with the camera but when I saw this shot I knew I wanted to make a photo etching from it. It had an air of quiet strength and determination that I responded to immediately. I liked the saucy pose and sassy tilt of the body, the confident hands holding the string, and the anonymity of the person represented. This was every woman’s stand for freedom and self governance, with boldness and assurance.

This piece has resonated with others quite strongly and positively, and I’m happy to say it has been mostly women. The image above was the first print I made and it sold almost immediately. It also garnered a Juror’s Choice Award at the Sidney Fine Art Show in  2009. I have since sold two more prints, a mini version of it, and the multi-layered piece titled Fire And Rain seen below.

Fire And Rain

Fire And Rain

I have three versions remaining that are still available. They are shown below.

Unbound 5

Unbound 5

Unbound 6

Unbound 6

Unbound 6

Unbound 6

Unbound 6 has the poem “Playing hide and seek

In dreams and deeds defining” on the sides.

The final piece this image shows up in is below. It is called Coming Loose, and you can see that I have combined it with several images, including one featured in last week’s post.

Coming Loose

Coming Loose

Unbound 5, an 8″x8″ monoprint on 15″x20″ paper, is offered this week at $250 unframed
Unbound 6, an 8″x8″x1.5″ mixed-media monoprint on board, is offered this week at $120.
Coming Loose, a 14″x15″ mixed-media monoprint, is offered this week at $450 unframed, or $600 framed.

This ends the selfie series of posts (for the time being, as I undoubtedly will showcase more in the future).

No questions today though as always I welcome your thoughts and feedback.


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Tuesday Tales – The Art of The Selfie, Part Two


Fore And Aft, side a

Fore And Aft, side a

Fore And Aft, side b

Fore And Aft, side b

This artist book includes two selfies that I shot myself using a timer. The images are repeated several times in different color schemes, and the book is folded in such a way that when it lies flat three of the images are seen together as one, as shown below.

Fore And Aft

Fore And Aft

Fore And Aft

Fore And Aft

The concept for the piece began with the idea of a folded book that would allow partial views of the images when closed or seen from certain angles. I then thought it might be interesting to have the images repeat, with variations in mood and presentation. This is something I like to do with my prints, to explore many possible presentations and interpretations of one image. To do so in one piece would be an interesting challenge.

When I came upon the design I realized the book would have complementary fronts and backs and it was an obvious next step to show front and back profiles of a person. I chose these quite suggestive images as a presentation and affirmation of female sensuality and empowerment. I considered adding some poetry to the piece but I decided the blank spaces gave the imagery some breathing room and I preferred to allow the viewer to experience the images without the distraction of words. The title itself, is both obvious and subtly multilayered.

Of course I didn’t stop there. I created a new piece with the ghost imagery from the “fore” image, and added some imagery around it to create the piece below. This is probably the most daring selfie I have turned into artwork. It was a challenge, both to create and exhibit, and the artwork itself symbolizes that challenge to norms and acceptability that artists do and must put out to the world.

The Gauntlet

The Gauntlet

Fore And Aft, an 8″  by 22″  artist book on a 24″ juniper base by Detlef Grundmann, is offered this week at $550.
The Guantlet, an 8″x10″ monoprint on 15″x22′ paper, is offered this week at $200.

What challenges do you face most frequently in creating your art? And how do you work through them?

Do you think an investment of self is necessary in creating art that resonates?

Do you think an artist’s role is to challenge societal norms and ideas?  If so, how do you do it in your artistic practises?


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Tuesday Tales – The Art of The Selfie


Chia, 1

Chia, 1

Selfie has been named Oxford Dictionaries Word of the Year 2013. It seems the rest of the world has caught on to a practise used by artists for centuries. However while the modern selfie is often a quick snapshot done to document or share a moment or event with others, often online, the traditional artist self portrait usually carries greater meaning and symbolism.

I have created numerous self portraits throughout the years, mostly as photopolymer gravure etchings based on photographs. Some of these photographs were taken by others, while others I shot myself. For the next few weeks I will be sharing some of these “selfies” with the idea and hope of starting a dialogue about the intent, meaning and value of self portraits.

The piece above is an early self portrait. I shot the picture myself while sitting around in my studio during a studio tour. I had brought my camera that day to shoot the artwork in the studio, and during a quite moment I decided to shoot some selfies. I particularly liked this one for the fact that it doesn’t appear to be a selfie. The pose is relaxed, I am looking away from the camera and it is cropped enough so that you can’t tell I am holding up a camera. As a self portrait it exudes a certain confidence and gravitas that I decided would be fitting as my gravatar for the numerous websites I post on (including this one). I have also used it for my business cards. Being an image of an artwork, it is a true gravatar, for it describes the work I do as a printmaker.

I included the piece above in my first solo show, In Her Eyes. Later I  reworked it into a multilayered piece, which I called Gravatar. This piece won an Honorable Mention at the Sooke fine Art Show in 2010. I reworked the piece again, calling it Gravatar 2, for my show Mirror, Mirror. The image is repeated several times in this piece to allude to its multiple use online, and snippets of online communications from my Facebook page, blog and twitter accounts are included to further illustrate the use of this gravatar.

Gravatar, 2

Gravatar, 2

I used the same image a third time for a show in July 2012 at IndexG in Toronto. The piece, shown below, and the concept for its use in that show is described here. This time I called it simply Her.

Her, sideview B

Her, sideview B

.

Her, side view a

Her, side view a

While creating this print I made a second one using embelishments on the ghost imagery of the first print. That print is below, titled Chia 2. It is my favorite though probably not my last of this series.

Chia, 2

Chia, 2

Chia, an 8″x10″ photopolymer gravure etching on 15″x 20″ paper, is offered this week at $200, unframed.
Gravatar 2, a mixed media monoprint on 22″x30″ paper, is offered this week at $400, unframed.
Her, a photopolymer gravure etching measuring 2″x4″x1.5″ on board, is offered this week at $100.
Chia 2, an 8″x10″ photopolymer gravure etching on 10″x 11″ paper, is offered this week at $200, unframed.
To purchase or for further info please email me at chiarina@chiarina.com.

It can be said that any work of art is a self portrait for the artist invests a great deal of himself in his work. Would you agree?

If you have ever created a self portrait would you like to share it here and describe what it means to you?

What famous artist self portraits do you most admire?


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Tuesday Tales – Dream Lover


Dream Lover

Dream Lover

Paris’ Musée d’Orsay’s exhibition, Masculine/Masculine. The Nude man in Art from 1800 to the Present Day, continues until January 12, after a three month run. A detailed description of the show, including many images and an intriguing video, can be found here.

While the male nude has been a common subject in sculpture and painting throughout the centuries, an entire show of male nudes is quite an uncommon event. I would have liked to see the show for that reason alone, although seeing the vast number and variety of artworks on display, grouped thematically, would have been a wonderful visual feast.

In keeping with this theme, I offer today a male nude of my own, a piece I produced for my solo show In Her Eyes. The title, Dream Lover, can refer either to the figure as the object of desire, or the sleeping man’s own dreaming desires. The light on his body is cool and natural, inferring daylight, yet he is at rest. Is he resting before or after some tryst? Or is he dreaming of one? The viewer decides. Whether in his mind or in reality, the feeling is one of warmth and contentment. A detailed view is below.

Dream Lover, detail

Dream Lover, detail

Dream Lover, an 8″x10″ photo etching on 15″x20″ paper, is offered this week for $200, unframed. To purchase or for further info contact me a chiarina@chiarina.com.


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Tuesday Tales – Breathe


Breathe

Breathe

As I look back on 2013 (how did it end so soon?) I see that I have posted about 100 times, with 45 of these being Tuesday Tales. That’s quite a step up from the meager 5 posts from last year! I have really enjoyed sharing my thoughts and artwork with my growing WordPress community and I cherish the connections made here and all the new blogs I now follow and love. I would like to extend a huge thank you to all my followers for coming along on this journey. I will strive to make it a worthwhile one to share. And I would like to wish you all much joy, love, laughter, adventure and creative fun in 2014!

My final offering for the year is this small piece titled Breathe. It is an image of my daughter taken at a time of change and crossroads for both of us. I know a new year is something we all approach with mixed emotions. Thoughts of the past year, with all its ups and downs, mingle with hopes and determinations for the new one. In all this frenzy of thought and emotion I encourage everyone to take a moment and breathe. Rest in this moment and feel all the beauty of this life you are living. Namaste!

Breathe, right side

Breathe, right side

Breathe, left side

Breathe, left side

                                                                                                                     Breathe, a 6″x8″x1.5″ photopolymer gravure etching on paper collaged onto board, is offered this week at $60. Please contact me at chiarina@chiarina.com to purchase of for further information.


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Tuesday Tales – In Her Dreams


In Her Dreams

In Her Dreams

Today’s piece is one that began several years ago but was completed just recently. It is the last one I have of a series of three, each with its own variation of inking and chin colle, as seen below. The piece includes a drypoint plate, with a smaller photo etching plate laid on top. The chin colle is thin paper glued on the surface while running the plates through the press, creating  the lightly shaded and irregularly shaped passage around the etching.

In Her Dreams They Are Not yet Grown

In Her Dreams They Are Not Yet Grown

In Her Dreams They Are Not yet Grown

In Her Dreams They Are Not Yet Grown

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The title of the piece above is shortened for it is collaged onto a small wooden block with added imagery on the sides, so it is  a newly designed piece.  Yet it refers back to the other two for the essential subject is the same, a reflection on the passing of time and our perceptions through it.

The smaller image in the piece is a photo etching of my children on the beach when they were younger. The larger more abstract line work in the drypoint loosely resembles a face with closed eyes and long flowing hair. The chin colle portion represents memory and the vagaries of dreams. The images combined refer to how in my dreams my children are always young, sometimes babies, even though they are fully grown. This is something many parents experience, as I’ve learned by sharing this piece. I guess those early years, when our lives are so intensely intertwined, leave their indelible mark on our psyche, our hearts, and our dreams. And I know, as my children prepare for adventures away from here, they will continue to remain young and close by in my dreams.

Below are two side views of the piece.

In Her Dreams, a 6″x 8″x 1.5″ monoprint, is offered this week at $80.
Contact me at chiarina@chiarina.com to purchase or for more info.

In Her Dreams

In Her Dreams

In Her Dreams

In Her Dreams