Chiarina Loggia

A printmaker's progress

Monotype Magic class at MISSA, July 2017 - printmaking fun and exploration - student works, playing with ghosts and working a series


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Those Who Can Teach, Do!


Copy of 20170702_162012_HDR

Happy faces at the end of class!

The saying goes “those who can, do and those who can’t, teach”. This past July I rediscovered the immense satisfaction of teaching something I love to do. I taught a class at MISSA (Metchosin International Summer School of the Arts) at the beautiful Pearson College campus in Metchosin, BC for the second time. As with every class I’ve taught in the past, it was an exhilirating and inspiring experience. The class I taught was Monotype Magic. The magic, I discovered, was not only in the art making but in the teaching experience. The enthusiasm and enjoyment of my students was so infectious and their praise for the process and myself both gratifying and humbling.  I welcome anyone who can do something well, to teach it to others. Not only will your students benefit from your expertise but you yourself will learn from your students and find a renewed sense of purpose and enthusiasm for your craft. Thank you to my wonderful students for the opportunity to share my passion with you!

Below are some images of the artworks created during this workshop. More images can be viewed here.

Monotype Magic class at MISSA, July 2017 - printmaking fun and exploration - student work

Monotype Magic class at MISSA, July 2017 - printmaking fun and exploration - student work, pulling the print

Pulling the print

Monotype Magic class at MISSA, July 2017 - printmaking fun and exploration - student works, playing with ghosts and working a series

Many shades of blue, playing with ghosts and working a series

 

Monotype Magic class at MISSA, July 2017 - printmaking fun and exploration - student work, working a series and using multiple plates

Multiple plates

Monotype Magic class at MISSA, July 2017 - printmaking fun and exploration - student work

Abstract explorations

Much of the class time was spent developing series of works incoorporating the ghost imagery left on the plate. Below are my demo prints showing two of these ghost prints.

Monotype Magic class at MISSA, July 2017 - printmaking fun and exploration - teacher's demo, first of two ghost prints

Teacher’s demo, first of two ghost prints

Monotype Magic class at MISSA, July 2017 - printmaking fun and exploration - teacher's demo, second of two ghost prints

Teacher’s demo, second of two ghost prints

What about you – do you have a great class experience that you might like to share?

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A Bed of Lotus


A Bed of Lotus

A Bed of Lotus

Remember my sneak peak? Well here is the completed artwork, all finished and mounted onto board!

It’s a multiplate print measuring 18″x24″ and titled A Bed of Lotus. Creating the artwork was a fun challenge, especially the surrounding abstract section, which was worked over quite a bit. Mounting it was an even greater challenge due to its large size. It required precise trimming of the paper, brushing of acrylic medium on both the back of the paper and front of the board and then some very careful aligning of both elements and pressing down to ensure that all would be glued together with no air bubbles. I used some strong muscle with a baren over wax paper on the piece to push down the paper which continually wanted to curl upwards. Finally I weighted everything down overnight to firm the bond.

I painted the sides of the board prior to mounting the print and waxed them to seal afterwards. A close up of one side is shown below.

A Bed of Lotus, side view

A Bed of Lotus, side view

Mounting the piece rather than framing behind glass was a little scary, so much could have gone wrong, but the final result is very pleasing and impactful as there is no glass to blunt the view of the print. It’s a much lighter piece to move around as well! A few more details are below.

A Bed of Lotus, detail 1

A Bed of Lotus, detail 1

 A Bed of Lotus, detail 2

A Bed of Lotus, detail 2

I intend to submit A Bed of Lotus to a show but if you’d like to save me the trouble I am offering it this week at $750.


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Tuesday Tales – A Question of Time


Time races forward

Streaming tendrils of the past

Gossamer weavings

A few years past I took part in a show with the theme of Interleaving.  Interleaving is a term traditionally used to describe translucent, protective papers between the pages of an often illustrated  book.

Thinking about the nature of the interleaf, of how it protects precious text and illustrations and of how its translucent fabric gives the smallest glimpse of what lies below, I began to see how time works in the same fashion. For time is the ultimate interleaf, acting as a shifting veil between past, present and future.

The passage of time is something I think about often. I view my life in distinct blocks of time, defined mostly by the places I have lived, which have been numerous. I see these as the building blocks from the past that determine who I am in the present. Yet I notice how time fades memory, eroding these blocks into weathered ruins that I revisit and treasure. My creative outpourings then become my interleavings, stemming the tide of time, forming a protective barrier to the inevitable loss of memory that it brings.

Sometimes my musings about time find their way into my artwork in unintended ways. The monotype illustrated here is an example of that. Done as a demo for a monotype class, it illustrates the projective power of abstract imagery. Working quickly and instinctively, my mind inevitably chose to follow a well worn path.

Ruins

Ruins

Beginning with the ‘ghost’ imagery of a previous monotype, most evident in the top left quarter with the faded leaf and crumbling pot, the reference to memory and left over objects in far away spaces is apparent. The roll of rich, dark, broken color across the bottom half takes on the shape of an ancient bridge or aqueduct, alluding to past worlds and cultures. The pale strip of land beyond and the veils of color on the right speak of distance and time and its obscuring effect. The addition of delicate leaves and thin blades of grass growing at the base of the ‘aqueduct’ bring us to the present, from which we ponder over our fragile connections to the past. The piece is titled Ruins.

Ruins, a monotype, measures 5″x7″ on 10″x11″ paper, and is offered this week only at $60, unframed.